A dedicated bunch of BPC members took up the challenge again this year. It’s been a fun ride and most of the participants managed the full 31 days.
If you look through our flickr group it looks like Heather, Jen, David, Eric, John, James and I managed to post at least an image a day. Kerry came close, and we had a few images from Gloria, Ann, Helen, Terry, Howard and former member Hilary.
So what did we see? Well first we had a huge variety of images, following of themes, a bit of image manipulation, some of our photographers rediscovering their photographic passion, and a bit of repartee between us in the comments. I’ve picked what I think are the best of each members images and a comment on what they gave us. You may not agree with my choices, but you’ll probably agree it’s been fun and entertaining for the observer.
Sticks and Bits
Let’s start with Heather, who gave us a selection of wildlife, birds, travel photos, Christmas food and drink (love that Quinta Ruban!) and observation. No theme per se, but Heather looks to have had fun. What’s more, Heather didn’t confine herself to her dSLR, but use her iPad and a compact as well. For me, the image above was quintessential Heather – simple and effective imagery.
Figure to ground relationship
Next we had Jen exploring themes of photographic composition, often using simple objects and simple lighting. There were some powerful images in there that merit a serious look – like the 3 rocks and the almost monochrome sea urchin on a black background. Jen has a very good eye for composition – so watch out in this years competition everyone! Jen I think takes out the award for comment discussions. I direct you to one image as an example and you be the judge!
Kerry took part for most of the 31 days (actually, all of them I think, but she didn’t post them all on the BPC flickr page), and seemed to explore a lot of food! Not a problem really, as we all like it, and I was half tempted to visit and inspect the pantry! You’ll have to look at her photo stream to see her images as I can’t embed the images here directly. Never the less check out her Monarch Butterfly Caterpillars and her Dump Trucks to see what I mean.
Father and Son
David worked at giving us an image a day from his secret hideout south of Adelaide (we can’t tell you where or he may have to silence us!). David presented us with an fascinating array of still life, images from the hideout, and garden images, often manipulating the images to add something new. For me, Father and Son, (although not fully representing the body of work) showed us David’s wit and talent. But don’t overlook his artistic work either – Argive Abstract is one not to miss.
Now on to Eric. Never stuck for a word or a witticism, Eric produced some excellent work demonstrating clever manipulation in camera, around the camera, in processing and outside the camera. Check out Friction Grater as an example. That’s comes from lots of practice and experience. But for me, Year End was a stunner that should not be missed.
Hindmarsh Old and New
Our newest club member, John, participated in the process enthusiastically – both as commenter and photographer. Although a long time photographer, he commented to me “This challenge has whetted my appetite for photography again. Until it started my camera would have been lucky to have been out of the house more than once a month or so”. John’s stream of images shows his new enthusiasm with some great images of his favourite architecture (like the one above), but also exploring other ideas like panos (which he does very well – have a look at Base Running),macros and some clever textures. I’m glad you had a good time John and look forward to lots more images from you.
Bus Shelter 2
James again enthusiastically took part in the Challenge, even incorporating a Best of 31 Days commentary on his new Camera Clips page. His images of course show his experimental and strong visual style. The image above is one that is shows a powerful awareness of that style. It has shades of Robert Capa’s “If your photographs aren’t good enough, you’re not close enough”. How many of you see beyond the obvious? James of course gave us his bird and insect shots, but I think his abstracts are some of his best images.
Finally, there was me. I spent a bit of time trying different things like only using one prime lens a for week (I succeeded), experimenting with mono treatments of images (like the one above – check out it’s colour cousin), wide angles, abstracts, and memories of lost relatives. It was hard work at times – as work and other things again got in the way. But the capture of a daily image or two to share was very satisfying in the end.
So there you have it – an interesting journey for all of us. Please visit the club Flickr page and see what we’ve done. We’ll probably hold another mid-year just to try something new.
Hasn’t the year flown by? Here we are about to finish up and another BPC Annual Exhibition has been run.
It’s been a busy year, with competitions, critique, some memorable workshops, outings and a new calendar. Full credit to all those who get stuck in and make every evening happen – the folk who set up chairs, the tables, the screen, the supper, the print stands – and then tidy it all up afterwards. Without your involvement it wouldn’t happen every fortnight and maximise our enjoyment.
So on to the Annual Exhibition. Like last year, we took the judging out of the meeting programme, collated the numbers and presented the results. Our thanks to our 3 panel judges – Joy Lee-Archer, Gary Secombe and John Williamson who carefully and efficiently scored our best images. Our thanks also to Jenny & Mark Pedlar for hosting the judging (and a great supper to go with it). Mark Pedlar then organised the certificates (again – thanks Mark) and a programme whilst Julie Goulter had trophies engraved.
On the actual awards night, we had an excellent turnout (I counted 43), with judges Gary Secombe and John Williamson in attendance along with several guests (like an ex-President, a few former club members and a partner or two) and many members filling the room comfortably. John Williamson liked us so much he joined our merry band as a member. Welcome!
President Ashley Hoff and Secretary Julie Goulter officiated to hand out the awards – Ashley getting RSI from signing all the award certificates and spots in his vision from the flash :)
JV Spick Chemist Award for Album Prints
Blackwood Photographic Club Award for Colour Prints
Blackwood Times Award for Mono Prints
Photographic Wholesalers Award for Projected Images
Congratulations to everyone who participated – and challenged each of us to try that little harder over the year.
The Annual Exhibition itself had some inspiring images to stimulate us. The full selection of digital images are presented below – click on any one to go into the slide show for a full size view.
And now for the Annual Exhibition Award winners – drum roll please………
Edge Malpas Award for Album Prints
|2nd||Helen Whitford||Parrot Fashion|
|3rd||Jo Tabe||Strike a Pose|
|Merit||Helen Whitford||Fun with Pebbles|
Mal Klopp Award for Colour Prints
|2nd||Jo Tabe||A Quick Snack|
|3rd||Jo Tabe||Left to the Weather|
|Merit||Jo Tabe||Mixed Emotions|
I’ve Been Framed Award for Monochrome Prints
|2nd||Jo Tabe||Standing Proud 2|
|3rd||Helen Whitford||Going for It|
|Merit||Helen Whitford||Let’s Stick Together|
Hutt Street Photos Award for Projected Images
|Mother and Child|
|2nd||Jo Tabe||River Contrasts|
|3rd||Ashley Hoff||Not the Messiah|
|Merit||Kerry Malec||Pacific Coast Iris|
WEA Australian Landscape Trophy
This time, even though the awards were dominated by those with a J or H as their first initial, other letters of the alphabet made an appearance! Well done to K, G and A for getting in the mix.
I’ve created a summary of the final scores from the big spreadsheet that you can download for those that like numbers. For those who prefer it, we also have Mark’s official BPC Annual Catalogue.
So what of that other award – the Bill Templar Award for services to the club over the last 12 months? It came down to a secret ballot vote between two people – Julie Goulter and Chris Schultz and was awarded to…….. Chris Schultz…. Hey! That’s me :) . I’m pretty humbled by that and appreciate your support. Thank you all.
Finally, after all the awards, celebration of our work and sharing in the fun, the evening finished with a supper of assorted goodies, viewing of the all the images, a lot of chat and supplemented again by Ron’s pizza!
Here’s a few photos of the award winners to finish (and yes – some faces just keep coming back :D )
Thanks again to our sponsors and everyone for taking part.
Next year promises to be interesting again with a new Novice only competition, some changes to the Peer Review nights and more interesting speakers.
Oh – and while you’re waiting for 2015 – anyone interested in the 31 Day Challenge for December? It’ll be on again – just post your images with the day number in the Flickr group.
Roll on 2015!
Yes! Another BPC Calendar has rolled off the presses.
We have trawled the images of our talented club members again and managed to snare the work of 39 different photographers. You may have seen some on the club Flickr group or at a competition or an exhibition or even on these pages – but they are all high quality images that will provide viewing pleasure and maybe inspire you.
This time the calendar editor role has passed to……..me! I’ve been given the task of producing the calendar for 2015 and tried to fill it with mainly local images, but now with a couple of twists. This time you get a glossy cover, a different layout, and each page has a theme (see if you can guess it). We’ve also worked with the printers to reduce page curl for a better product you’ll be pleased to share or give.
Now here’s a thought – Christmas is only 4 months away! So let this little beauty soar to remote locations, give it to your Aunt Mabel or Uncle Bob, surprise your neighbor with a copy over a cuppa, present one to your boss or favourite co-worker or even hang one on the wall in your home or office.
Here’s a YouTube video showing you each page:
The price remains the same – $15. Tough bag postage/packaging mail delivery is extra. You can obtain a copy from any club member, email us, or write to the club via snailmail (yes, we do have a postal address). We accept cash, cheques & money orders (payable to Blackwood Photographic Club of SA) and Electronic Funds Transfer (details available upon request) as payment for this great calendar.
How many times have you been to a competition, seen someones works and asked the question “How did you do that?”. Well, tonight was the night we found out.
Helen organised a few of us to share our little secrets. Not really that secret, but enough to inspire some work!
So who did we have?
First up, James Allan describing his little worlds – or extreme panoramas. Fortunately, James put it into a slide presentation, which I’ve reproduced below:
Keen readers will recognise the feature image – and may even see it in our upcoming Calendar (on sale soon!)
Next, Jo Tabe described how she produced some of her stunning HDRs. Yes, there is a tool in Photoshop. Yes, it works. But there are other ways.
First up, get your images – and it need not be all -2, -1, 0, 1 and 2 stops. It can be just the top or bottom three. You can even cheat in Adobe Camera Raw and derive it from one image.
Once you had your image, the merging part took over. Jo’s tool of choice is PhotoMatix – a plugin for Photoshop, Lightroom or Aperture. The trick is to play with the images, allowing for motion in your subject (like trees) and removing halos that form in standard HDR images. As she pointed out the aim is have a high dynamic range – not surreal art.
Alberto Guirelli then ran through some very simple image manipulation to turn bland images into stunners. He should know – he keeps getting awards!
His trick was to use crop and vignette, and importantly, curves. This is the key – set the white and the black points in the image first. Then crop to what you need. His example of the bland looking Tuscan hillside took all of 2 minutes to transform into a stunning wide range image.
The vignetting method from Alberto was a bit more subtle. Use the lasso tool to outline your subject. Then set a smallish feather (about 50 pixels) and apply an unsharp mask to that area (at about 130-140%). Now, invert the selection and change the feather to about 250 pixels. Then darken it with curves. Now you have an irregular vignette that works!
Finally, the tool of choice that shuts the judges up – the clone tool in Photoshop. Get rid of unwanted branches, insects, people etc with the click/drag of a brush!
Next up – me. I rather like macro photography (probably stemming from my work years ago in a histology lab working with all sorts of microscopes – dissecting, dark field, transmission electron, scanning electron etc).
In the plain old photographic world we quickly run up against lack of sharpness and detail due to diffraction as we try to magnify images more and more. The answer lies in Focus Stacking. Here is a little presentation I put together:
Helen – our MC for the night – then showed us how she made King of Beasts (that great lion image) – starting with the lion with the cage behind it – in all its distracting glory. However, using Nikon Capture she demonstrated the removal of that grid, the ultimate vignette, and then the trick that Nikon Capture (which is apparently based on Nik Efex) allows modification of colour range brightness and contrast at an extreme (almost pixel) level. This allowed her to alter fur, reflections and edges with extreme accuracy.
Richard Akroyd then followed up Helen’s demonstration with more about Nikon Capture showing the broad range of what Capture (ie Nik Efex) can do. Could well be worth the $149!
To follow the high tech world of fine level manipulation, Mark Pedlar presented the image manipulation tech of Photoshop layers and the right selection of images. His Hell’s Gate image is a photo that’s been 7 years in the making when he first saw the gate. Assorted attempts at making it look good were not 100% successful. However, with perseverance we can now show how he did it:
So there you have a summary of the nights proceedings. Lots of lessons and methods, but not all of them high tech. In fact, some really simple techniques that result in some of our presenters gaining the highest awards in the amateur photographic world. As Jo said, sometimes all you need to do is play with the tools you have and learn what they do to get the most out of them. Sage advice
Movie Stills. We’ve all seen them – those classic images that entice us to the movies, inspire our photography, fire our imagination and lead us to into another world. The challenge arose after some of us recalled some brilliant work from Cindy Sherman’s book entitled “Untitled Film Stills“. These were not real movie stills, but images that could have been inspired by film noir, and Italian neo-realism (see the reference in Wikipedia)
Well sadly, it seems not many people at BPC understood the brief! The complaint came from the floor that it was too hard. Que? No matter – we still had a few interesting images pop up on the night. Cindy may even have liked some of them!
Judge Keith Seidel helped us out enormously in several ways. First, he was a last minute judge as the original judge couldn’t attend. Thanks so much Keith – we appreciate the effort.
Then, Keith did a superb job of judging the works on offer with constructive, well thought out commentary and criticism. It was a pleasure to stand out the front hanging the images for Keith to evaluate – and having a bit of banter with him along the way (something our little band of renegades is noted for).
As he commented to me afterwards, our work was good, and he was forced to hand out more 10s than usual.
So what about the movie stills? Well there were only two prints in that category (and I’ve put one of them here). There were a few more in the digital section (just 7), including a clever Lego version of Jaws by Dean Johnson. As for the rest – some great Open category images including Helen Whitford’s “A Screeching Halt” triptych and Jo Tabe’s “Just a Short Tail”.