‘Scapes – Competition October 26th 2023

Geoff Smith judged the October ‘Scapes competition. Geoff is a former SA Government official photographer and professional wedding and portrait photographer.

Geoff commended the range of seascapes, landscapes and urban scapes that were presented in this month’s competition.

In the digital images section Judy Sara scored well with ‘Grotfjord’ which invites the viewer to explore the middle point with attractive red roofs on the houses. The composition of the photo leads the eye to explore the distant peaks. With the same marks, Michael Selge’s image of ‘NZ Peaks’ shone with beautiful light, each ridge excellently lit, nice lens flare and a feeling of vista, shape, texture and distance.

Another image from Judy Sara; ‘Momocobreen’ explores land and sea, also with a lovely vista, and scale.

Moving through the judging, Judy Sara’s Pildappa Rock made good use of the panorama format, with good definition and foliage detail. While Meredith Retallack’s ‘Dawn at Arkaba Woolshed’ had a foreground leading into the building and her ‘Pelican Lagoon’ made good use of the portrait format, with the central tree being a bright area getting most of the sunlight and with good cloud detail.

In the Mono category the Judge looked for good tonal range, texture and contrast.

In this category Steve Wallace’s ‘Dunlop Woolshed’ scored highly with the Judge saying the leading lines from bottom left to the middle led the viewer into the image, the gate highlights and the definition in each of the corrals showed up well. The use of light, shape and texture added to the image to give a clear story.

Michael Selge submitted ‘Spotting’ which made good use of the frame, the diagonal positioning of the subject, and the positioning of the head back from the centre gave the bird space to move into.

Gordon Lindqvist in the Open colour category scored well with ‘About to Board’. A lively shot of a pilot boat powering through the waves. A dynamic shot, with the subject centrally located, the viewer can see where the boat comes from and where it is going, drawing them into the story.

Steve Wallace’s ‘Window on Sky City’ was all about the colour in the amber windows, a nicely constructed shot.

In the print open colour category Kerry Malec took out the top mark for her photo ‘Katherine Gorge’. The Judge liked the unusual and interesting deep rich blue of the water which gave a 50/50 split to the photo. The unblemished deep blue contrasted with and provided an excellent backdrop to the earthy colours of the land.

Michael Selge followed Kerry with ‘Dawn Jetties’. The still water and good use of time of day gave a lovely change of lighting while providing enough detail on the jetty, not just providing a silhouette, but preserving the shape and texture of the jetty.

Also by Michael, ‘Tassie Falls’ was applauded by the Judge because it had good detail in the foreground, and the photo led the eye in from the bottom right hand side and was a very restful scene.

Mark Pedlar with ‘Honkers’ showed an amazing skyline and lots of harbour and waterway activity. This print subject had variations in textures and heights, with a good range of tones giving atmosphere and mood and telling a story.

Sheila Gatehouse’s ‘Early Morning Hindley Street’ was commended by the Judge. The vehicles and buildings had good light on them, tonally well done, and also optically with a good lower horizon, drawing the eye down the road.

‘Waterfall’ by Di Gage used a long exposure technique to smooth the water while maintaining the fine detail in the rocks. Judy Sara scored top marks with ‘Working Together’ which told a story, showing the engagement of the individuals in the image. The structure and lighting were well caught. (image not shown).

The Judge said of Judy Sara’s image of “Working Together” that it was an example of beautiful modelling for an image with good depth and definition. The subjects aren’t posing for the picture but are concentrating on their work looking neither happy or sad. The subjects were a good photographic study.

The general theme of the Judge’s comments was about creating a story, having something to show scale where it wasn’t clear in the image and looking for different angles and ways of looking at subjects to tell different stories.