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BPC goes Trainspotting : 21-Jul-2013

Trainspotting is a 1996 British black comedy about drug dealing directed by Danny Boyle based on the novel of the same name by Irvine Welsh.  I know this because it is one of my son Tom’s favourite movies.

This however was not the theme of our latest BPC excursion.  It was all about the trains.  More specifically a steam train, the 620 class steam locomotive – 621, The “Duke of Edinburgh“.  This is a 4-6-2 locomotive, one of 10 fast passenger engines originally intended for the Adelaide to Port Pirie “East-West” route.  4-6-2 refers to the arrangement of wheels, the middle number “6” referring to the number of large drive wheels that propel the train.  The first and last numbers refer to the smaller wheels fore and aft .

The Duke of Edinburgh was scheduled to leave Mt Barker at 10.00am to arrive at Strathalbyn by 11.00am and Goolwa by 12.00pm.  We arranged to meet at Mt Barker at 9:15 to witness the coupling of the train prior to departure.  This however was too early for some, who were concerned about road conditions.  There had been a pile up on the freeway the previous morning when it had iced over.  Regardless we had a good turnout with around 8 keen trainspotters, (and one that we acquired).  We befriended Nigel from the Edwardstown camera club who was out with his wife and nephew.

The magic of the steam trains is in all that steam.  The 140 ton steel monolith comes alive when it belches out steam from its various orifices and lurches backwards and forwards along the tracks.  No one failed to be captivated.  Just have a look at the photos.  Standing on the low ground we were enveloped in dense white steam as the “Duke” whistled then tugged it’s carriages out of the station up towards the Wistow highland.

We had a plan.  I had a map of the train line showing the location of the 11 level crossings between Mt Barker and Strathalbyn.  In our cars we drove ahead of the train and parked near a crossing in order to photograph it.  This was quite exhilarating and a lot of fun.  On a few occasions I arrived too late, seeing the train chug past as I was parking the car.  My fellow photographers however were nicely positioned and have excellent photographs.  At Strathalbyn we parted company.  Some drove home, others carried on chasing the train.  Ken unfortunately had to take his wife to hospital after she developed knee pain.

The photography was interesting.  With the stationary train at Mt Barker it took some discipline to step back and look at the scene more analytically.  Once I had a photo of the train at the station I needed to move around and look at new angles to improve the mood and the intensity of the subject matter.  However once the train started moving it was a different story.  Waiting at a crossing it was easy to get bored.  Finally as the train rounded the corner and first came into view I wanted to fire of a salvo of shots.  It was however too far away and as the train neared the focus was lost and it was easy to get blurred photos.  I felt like a fusilier in Zulu dawn.  There was a risk of shooting too early and missing the target entirely.  I needed a gunnery sergeant to tell me when to hold and when to fire.

Overall it was a well rated and enjoyable outing.  Fortunately the predicted bad weather came on later in the afternoon.

James Allan

“Lines” Competition August 1st 2013

Heather Connolly-Noarlunga Gold-set

We drew the line, followed the line, toed the line and tried not to cross the line as our efforts this month went before judge, Matt Makinson of Black & White Photographics.

Matt has worked as a professional photographer but has concentrated on the printing side of the business in recent years.  As a printer in commercial photography he brought a different perspective to judging, closely scrutinizing the quality of the print and picking up flaws such as colour casts, pixellation etc.

He also strongly encouraged us to make use of vignetting (but to keep it subtle) so that the eye is not drawn away to light corners of a photograph.  Like most judges he also pointed out distractions which could be removed to improve a picture, such as bright patches, marks from a dirty filter or objects cut off by the frame.

His commercial eye favoured an arty style and he suggested possible markets for a number of images such as Council brochures and magazines, as well as hanging on someone’s wall.  Heather did particularly well with some quite abstract images.  His dislike of flies and cacti may have cost Kerry a couple of points (bad luck, not bad photography Kerry!) but overall his remarks were encouraging and positive.

I think we all enjoyed his little anecdotes along the way, as well as his show and tell with a magnificent print of Uluru, which helped make it a pleasant evening.

To see the Top Scoring Images visit our Top Scoring Prints and Top Scoring Digital Images pages and scroll down to August.

Cheers

Helen : )

Once more into battle we went – the BPC/EPC interclub – 4-Jul-2013

Yes – its that time of year again. The annual duel between Blackwood Photographic Club/Edwardstown Photographic Club. On this occasion we held it at our club on a night when the heavens opened. I can attest to that – I kept stepping in a puddle as I moved the selected prints, projection hardware and El Presidente paraphernalia between my car and the club rooms.

Despite the weather we had a good turnout, with 15 EPC members in attendance and about 30 from our club. For a change this year we did the scoring on 2 computers (ours and theirs). Judge Derek Mikolaj & I had joked earlier in the week about scoring with fractions. Oops – that got Derek going and he used just that system – Nine and a half, Six and three sixteenths, 8.95 – you get the idea! The scorers had a chore keeping up, but computers and spreadsheets can cope with these things – as long as you can convert a fraction to decimal (actually, you can do the calculation too – 7 and 3/8 is just that 7 plus 3 divided by 8). Anyway, we had a very good selection of prints (mono & colour), and 50 digital images to see. Derek worked efficiently through the images, giving constructive criticism along the way. These were the best images from both clubs – so marks were generally very high with eleven full 10s (not fractions).  The competition proceeded with some wows, some not so wows and some witty remarks from both the judge and the audience. Who said we can’t have fun with the judge?

In the end, despite our best efforts (with images from 25 BPC members – every one gets an image in if they submit), Edwardstown won on the night. The scores? Well here is a little table:

BPC EPC
Digital images 220.1 226.9
Monochrome images 127.25 130.8
Colour prints 120.275 124.275

Total

467.625

481.975

Once again, not a lot in it, but EPC took out every category, even though we had more full 10s on the night (7 vs 4) – but who’s counting? EPC have kindly allowed us to show all of their digital images on this page as well as ours, so rather than carry on any more about competitions, just look at the images and see which ones you liked the best. We’ve put the top scorers from our club in the Top Digitals page, and the slide show here of all the digital images.

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To finish the night, BPC members laid on a great spread of supper (which seemed to go down well) whilst everyone checked out the prints still around and had lots of chats about the images.  It was great to see the best from both clubs. Bring on next year – where we are going to propose some changes to open up the competition and level the playing field some more 😆 Chris 😉

Watch out! It’s the Paparazzi! – June 20th Competition

Watch out!  It’s the Paparazzi! – June 20th Competition

E.Budworth_Allo, Allo, Allo!_Set

Actually as Photojournalists I think we failed to net any celebrities but did manage to capture some interesting characters!  Our Photojournalism Set Subject didn’t attract as many entries as Red the previous month but it was evident that many enjoyed the challenge of finding a story to tell.  Judge Susi Lippert provided constructive comments on the whole and seemed to enjoy our selection of images. Keep getting out there and enjoying your photography folks!  It’s great to see entries from so many different people!

To see the Top Scoring Images visit our Top Scoring Prints and Top Scoring Digital Images pages.

Helen  : )

We Saw Red! – 9-May-2013

 

Graham Field_Astrid in Red

Whilst it was intended that we see a lot of Red on May 9th it could be said that there was more of this than expected.  Judge Anne Emmett’s comments led to much animated discussion after the night where 115 prints and projected images, many in the Set Subject of “Red”, were scrutinised and criticised.    Anne focused on the technical, pointing out how flat lighting, distracting elements and borders, images cut in half and lack of saturation could all spoil a photograph. Regarding saturation, she acknowledged that projected images could look very different on the screen to how they appear on our computer at home – a factor that a few of us have wrestled with over the years. (Hint: increase saturation and decrease brightness a little for Projected Images!) She also urged us to make sure we look for a different angle, to avoid taking the ‘standard’ shot and raised the question of whether a photograph has greater value if it was difficult to take.  It was again great to see new members braving the competition with some appearing among the top scoring images.  It was also good to see some very creative work with a number of people “thinking outside the box.’’ Hopefully we’ll continue to see a range of photographic styles, people being willing to experiment and try new genres and remember that we’re here to enjoy our photography and learn from one another.

To see the Top Scoring Images visit our Top Scoring Prints and Top Scoring Digital Images pages.

Helen  : )